Sunday, October 31, 2010

Jon Stewart Speech Closes 'Rally To Restore Sanity And/Or Fear'

Comedian tells fans rally was about working together, not 'ridicule.'
By Mawuse Ziegbe


Jon Stewart speaks at the "Rally to Restore Sanity and/or Fear"
Photo: Win McNamee/Getty Images

Jon Stewart's "Rally to Restore Sanity and/or Fear" Saturday (October 30) was a smorgasbord of the satire and send-ups of pundits, politicians and public issues Stewart's "The Daily Show" has specialized in for years. However, at the end of the three-hour event at the National Mall in Washington DC, Stewart used that same incisive humor to drive home the point that Americans aren't as crazy as the media would have us believe, and that the everyday triumphs that don't make the news are truly representative of the American people.

Stewart kicked off speech by addressing the question that was likely on many attendees and viewers minds: What exactly was the point of the rally? Stewart ventured to answer the question, suggesting, "Some of you may have seen today as a clarion call for action." He also considered the possibility of wayward tourists getting caught in fray, joking, "Clearly some of you just wanted to see the Air and Space Museum and just got royally screwed."

Then Stewart broke down the intentions of the rally, which he maintained was not simply about poking fun.

"This was not a rally to ridicule people of faith, or people of activism, or to look down our noses at the heartland or passionate argument, or to suggest that times are not difficult and that we have nothing to fear. They are and we do. But we live now in hard times, not end times," Stewart declared, to the roar of thousands of attendees swarming the site.

He went on to examine the role of the press in exacerbating conflict among Americans.

"The country's 24-hour, political pundit, perpetual, panic conflict-inator did not cause our problems. But its existence makes solving them that much harder," he said. "If we amplify everything, we hear nothing."

Stewart cautioned listeners about buying into propaganda that may obscure the real issues citizens should be tackling.

"Not being able to distinguish between real racists and Tea Party-ers, or real bigots and Juan Williams or Rick Sanchez, is an insult, not only to those people, but to the racists themselves who have put in the exhausting effort it takes to hate," Stewart said, referencing former CNN anchor Sanchez, who was booted from the network for his unsavory comments about Stewart and other Jewish Americans. "Just as the inability to distinguish terrorists from Muslims makes us less safe, not more."

Stewart maintained he feels "strangely, calmly good" because he doesn't take media portrayals at face value. Yet, he conceded he understands how certain representations can hinder honest, straightforward dialogue about significant issues.

"The image of Americans that is reflected back to us by our political and media process is false. It is us through a funhouse mirror ... the kind where you have a giant forehead and an ass shaped like a month-old pumpkin," he said. "Why would you reach across the aisle to a pumpkin-assed, forehead eyeball monster?"

Stewart said he knows that most people reach across the aisle when it matters, saying, "We work together to get things done every damn day! The only place we don't is here [points to Capitol Building] or on cable TV."

"Most Americans don't live their lives solely as Democrats, Republicans, liberals or conservatives. Americans live their lives more as people that are just a little bit late for something they have to do. Often something they do not want to do. But they do it. Impossible things [are accomplished] every day that are only made possible through the little reasonable compromises we all make," he said.

Referencing a screen playing footage of cars slowly inching through traffic, Stewart used the image of the highway as metaphor for how Americans make those compromises, ceding the road when necessary and recognizing that everyone is headed toward a similar goal. He also touched on the diversity of drivers on the road, noting that the cars could be steered by anyone from a mom with two kids to a "Mormon Jay-Z fan."

While Stewart opened his speech outlining the messages he wanted to relay through the rally, he closed by explaining what the event meant to him.

"Sanity has always been in the eye of the beholder," he said, "And to see you here today, and the kind of people that you are, has restored mine."

Did you attend Jon Stewart and Stephen Colbert's "Rally to Restore Sanity and/or Fear"? Let us know in the comments!

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Nicki Minaj 'In Shock' Over Eminem Collaboration 'Roman's Revenge'

After rejecting one beat, Em 'picked up the phone' for a Swizz Beatz track, Nicki says on 'RapFix Live.'
By Jayson Rodriguez, with reporting by Sway Calloway


Nicki Minaj
Photo: Rachel Goldner/MTV News

Nicki Minaj has quite a few alter egos; Eminem has just one. And on the upcoming Pink Friday track "Roman's Revenge," Nicki's Roman Zolanski goes toe-to-toe with Em's Slim Shady.

"It was Roman ... and it was Slim Shady," she told MTV News' Sway while speaking in a British accent during her appearance on "RapFix Live."

The real Slim Shady? "The real Slim Shady," she confirmed. "It was the most fun song on Pink Friday. It gave me life. Absolutely, darling."

The track had long been in the works, she revealed. Swizz Beatz produced the number, and she held onto the track for months. The Queens femcee sent Eminem another record first in hopes of soliciting a collaboration with the Detroit superstar.

"We went out on a whim and put it in the air like, 'It'd be great if he would collaborate with us,' " Nicki Minaj said. "I remember I kept talking about it, and I thought, 'It can't hurt.' I sent him one record, and he didn't love it. He didn't say, 'I don't love it'; he just said, 'Can you send me something that's a little more me?' I sent him an e-mail and thanked him for that, just having enough respect. Sometimes people don't respond. He had the respect, at least, to treat me like a peer."

Eventually, Nicki revisited the Swizz track and completed the song. She wasn't sure if she wanted a feature on the track, because she thought the song was so good as it stood. After thinking it over, however, she decided to reach out to Em.

"He picked up the phone for that one," she said.

According to Nicki, the Recovery MC was extremely detailed about his plans. The two worked out a new chorus after clearance issues killed the first one. Then they wrapped the number, which features MTV News' 2010 Hottest MC in the Game and #6 on the list.

"Even right now, I'm in shock," she said of the collaboration.

What do you think about Em and Nick working together? Let us know in the comments!

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If you're among the "TRON" fans itching to re-enter "The Grid" on December 17 when "TRON: Legacy" hits theaters, we've got some stellar news for you: MTV was in attendance last night when Disney offered a sneak peek at 20+ minutes of footage from the film... and it did not disappoint. WARNING: SPOILERS AHEAD!
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Britney Spears Inspires Another 'Glee'-Cap Musical

Heather Morris' moves and John Stamos' grin have us breaking into song.
By Jim Cantiello


Britney Spears and Heather Morris on the set of "Glee"
Photo: FOX

From the Heather Morris-starring scene-for-scene video re-creations to the sight of Lea Michele as a sexy schoolgirl to the debut of John Stamos, this week's Britney Spears-themed episode of "Glee" has everyone talking. But it has us singing. Without further ado, here are the lyrics to this week's "Glee"-cap!

Britney
You took over this week's "Glee."
Oh, baby you can hit me
One or two more times.

But when you act,
It's all sorts of crazy wack,
It's so good to have you back,
Even though you look 39.

A full hour of hits that are yours,
But then Lea performed Paramore.
[Jim speaks: What the f--- was that about?]
Oh, Britney, take these kids on tour.

[Jim speaks: Seriously, Heather Morris did Britney better than Britney ever did Britney.
Clip: Santana says, "Leave Britney alone!"
Jim: Sorry!
]

[To the tune of "... Baby One More Time"]
Oh, Stamos, Stamos,
How was I supposed to know
That you and "Glee" are besties?
Oh, Stamos, Stamos,
You're not singing "Kokomo."
No love for Uncle Jesse.

Mating with crazy eyes,
They're dating,
Schuester's fading,
Student's masturbating,
Oh, that's gross!

John Stamos has a dentist chair.
He gives "Glee" kids
So much sweet air.
When they go under,
They lose their mind.
Drugs are sublime!
Then it becomes Britney time!

[To the tune of "Everytime"]
Videos redone
Are so much fun,
But baby

Everytime "Glee" tributes
The plot falls by the wayside.
They just want you to buy
lots more soundtracks, baby.

"Glee" is structured like a porn.
They talk and then perform.
Scenes are shoehorned
Who needs story, baby?!

[Jim takes a hit of nitrous oxide, collapses.]

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Friday, October 29, 2010

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Lady Gaga Buys Back Auction Items

Demo CDs and DVDs of old performances are pulled from auction of music memorabilia.
By Jocelyn Vena


Lady Gaga
Photo: Uriel Sinai/ Getty Images

Sorry, little monsters — your opportunity to own a relic from Lady Gaga's early days is no longer an option. Gaga's former manager, Bob Leone, and the memorabilia house Gotta Have It! are pulling the CDs and DVDs from Gaga's pre-The Fame career that were part of their "Rock & Roll Pop Culture Auction."

According to a press release, Gaga's management will buy the items for an undisclosed sum; a visit to the auction's website shows the lots have been removed.

Items up for auction included a demo CD from 2002, a copy of the 2005 CD "Stefani Germanotta," another CD from 2005 titled "Stefani Germanotta Band, Words," an original Lady Gaga disc from 2006, a 2006 CD called "Stefani Red and Blue" and a DVD containing a 2006 Gaga performance at the On Stage Italian Artists showcase.

"She was painfully shy — very different from who she is now," Leone said earlier this month in an interview with People. "She came to the open mics with her mother twice before she built up the courage to go onstage. ... She was prodigy-like. She was clearly a very good songwriter and keyboard player."

Leone, who worked with Gaga in the early years of her career, recalled that the superstar went through one very important transformation in 2006. "It was a very important six months because going into it, she was Stefani, and she was still writing pop music. By the end of that six-month period, she was officially Lady Gaga.

Even four years ago, Gaga knew exactly what she wanted. "Whenever someone asked her, 'what is your goal?' she would always give the same two-word answer: 'world domination,' " he remembered. "She's got it [now]!"

Are you bummed that rare Lady Gaga items were removed from the auction? Tell us in the comments!

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Britney Spears 'Glee' Episode Draws Record-Setting Ratings

Tribute episode brings in 13.3 million viewers.
By James Dinh


Britney Spears and Heather Morris on the set of "Glee"
Photo: FOX

Madonna's "Glee" tribute episode might have been titled "The Power of Madonna," but it was the show's tribute to Britney Spears that reigned supreme. The broadcast, which featured cameos from the pop princess herself, drew 13.3 million viewers, leading the 8 p.m. hour and posting its best-ever rating among adults 18-49.

Tuesday night's episode, appropriately titled "Britney/Brittany," had a 5.8 rating and rose 4 percent from last week's season-two premiere. The feat made history for "Glee," as it becomes the first series since NBC's "Seinfeld" in 1993 to debut as the top series of the week and then spike in ratings the following week, according to Entertainment Weekly.

The episode, which highlighted Heather Morris' character Brittany S. Pearce, revolved around the McKinley High students' fight to perform Britney Spears numbers. Through anesthesia-induced sequences, the Gleeks tapped into their inner pop star to perform renditions of the singer's hits, including " ... Baby One More Time" and "Me Against the Music."

In addition to Spears' appearances on the hit Fox show, the singer took to Twitter during the West Coast premiere to thank fans for campaigning in support of the episode. "I loved it! Thank you guys SO much for making this happen!" she tweeted. The pop princess also gave props to the many song and video re-creations, including "I'm a Slave 4 U," saying, "Slave: Oh ... My ... God ...! Those little boys are SO cute! I know how hard it is to dance with that snake! Nice job."

Spears' manager, Adam Leber, also showed his appreciation for the episode, which spawned multiple trending topics on Twitter. "So glad you guys loved the GLEE episode! The Overwhelming worldwide response has been insane.3 of the top 10 worldwide trending topics.Sick! Big big big thank you to Ryan Murphy, the incredible cast and Brit's fans for making it happen...."

After such success, it wouldn't be surprising if the rumors of a second Spears-devoted episode came true, since "Britney/Brittany" only included hits from the first few years of the singer's career.

Did you catch the Britney Spears-themed episode last night? Share your thoughts in the comments below!

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Thursday, October 28, 2010

Kid Cudi Stoked To Have Mary J. Blige On New Album

Man on the Moon II: The Legend of Mr. Rager drops November 9.
By Steven Roberts


Kid Cudi
Photo: MTV News

Kid Cudi's Man on the Moon II: The Legend of Mr. Rager, set to drop November 9, is one of the most anticipated albums of 2010. Arguably the most unexpected thing about the release is that Cudi was able to secure two Mary J. Blige cameos.

Cudi is known for genre-blending collaborations — Kanye West, Cee Lo Green and St. Vincent also are featured — but even he was shocked that the Queen of Hip-Hop Soul wanted to work with him.

Cudi and Blige first talked about working together when they bumped into each other on a flight to New York. Cudi said he was surprised she was open to a collaboration and kept her in mind when he was in the studio. He eventually found a record he thought she would fit. After they recorded it, however, neither was sold on it.

"She liked it, but she asked to hear other stuff," Cudi revealed. "I was immediately standoffish. I was like, 'Man, I don't want to play all of these other songs, me talking about cocaine and wilin' out and stuff. I don't want to disrespect Mary, and I know these topics are really intense, and the song I wanted her on was an upbeat, 'Family Affair,' happy. It's a completely different vibe, and I just didn't know how she would respond.

"I played her 'Please Don't Play This Song,' and she was like, 'I want to get on that,' " Cudi recalled. "I was like, 'You can get on anything you want.' "

Cudi said Blige went in the booth and nailed her part in almost one take. They took a listen, and she asked to hear even more of the album. He played her "These Worries," and she laid down more vocals.

Cudi said their session was very relaxed and therapeutic. Blige was really down to Earth and schooled Cudi on music, he said. He was surprised how humble she was, as she didn't want to impose by jumping onto his records.

"She didn't believe that I wanted her on any song that she wanted," Cudi remembered. "When I was like, 'You can do this third joint,' she was like, 'Really, you want me on all three songs?' and I was like, 'Yeah, I want you on the whole album if you want to be.' "

Which Kid Cudi collaboration are you most excited about? Tell us in the comments below!

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Lil Wayne Beat By Kenny Chesney On Billboard

Weezy's I Am Not a Human Being comes in at #2, Gucci Mane is #4.
By Gil Kaufman


Lil Wayne
Photo: Kevin Winter/ Getty Images

Somewhere, probably on a beach, country sand bum Kenny Chesney is likely celebrating the #1 debut of his latest album, Hemingway's Whiskey, which will top the Billboard 200 chart next week thanks to sales of 183,000. He easily beat out the week's other top debut, the digital release of incarcerated rapper Lil Wayne's I Am Not a Human Being album, which sold 110,000 copies, according to figures provided by Nielsen SoundScan. The physical release of Weezy's album, with bonus tracks, is due on October 12.

The pair lead a stampede of new faces on the charts this week, which also include Gucci Mane at #4 with Georgia's Most Wanted (60,000) and guitar legend Eric Clapton at #6 with Clapton (47,000).

The rest of the top 10: Zac Brown Band, You Get What You Give (#3, 70,000), Eminem, Recovery (#5, 59,000), Trey Songz, Passion, Pain & Pleasure (#7, 42,000), Linkin Park, A Thousand Suns (#8, 42,000), Maroon 5, Hands All Over (#9, 41,000, down 71 percent in week two) and Selena Gomez & the Scene, A Year Without Rain (#10, 38,000).

Just outside the top, Jimmy Eat World land at #11 with Invented (38,000), Lil Boosie is just behind at #13 with the aptly titled Incarcerated (30,000), rock icon Neil Young comes in at #14 with Le Noise (30,000) and Nine Inch Nails maestro Trent Reznor skates into the #20 position with his score to the Facebook move, "The Social Network."

Veteran rapper-turned-family-movie-actor Ice Cube has a soft landing at #22 with I Am the West (22,000), grunge giants Soundgarden are at #24 with their hits collection Telephantasm (19,000), Jeremih is hot on their heels at #17 with All About You (18,000) and smooth crooner Seal crashes in at #31 with Seal 6: Commitment (17,000).

It was also chart debut time for brainy punkers Bad Religion, whose The Dissent of Man comes in at #35 (16,000), just head of Ben Folds' collabo with author Nick Hornby, Lonely Avenue (14,000) and Deerhunter's Halcyon Digest (#37, 14,000). Also debuting this week: Mushroomhead, Beautiful Stories for Ugly Children (#44, 11,000), Gin Blossoms, No Chocolate Cake (#73, 7,000), Mark Ronson and the Business Intl., Record Collection (#81, 6,000) and No Age, Everything in Between (#103, 4,000).

The iTunes charts sees the first major shakeup in a while, with the top 10 albums getting a number of new faces, including Wayne's Human Being at #1, followed by Chesney, Zac Brown, Lecrae with Rehab, Jimmy Eat World, Maroon 5, Mumford & Sons' Sigh No More, Eminem, Clapton and Gucci.

Though iTunes does not divulge sales figures, the singles chart has a new #1 while otherwise remaining mostly unchanged. Far East Movement move into the top spot with "Like a G6," followed by Bruno Mars ("Just the Way You Are"), Nelly ("Just a Dream"), Rihanna ("Only Girl (In the World)"), Katy Perry ("Teenage Dream"), Flo Rida ("Club Can't Handle Me"), the "Glee" Cast ("Toxic"), Usher ("DJ Got Us Fallin' in Love"), Taio Cruz ("Dynamite") and Lil Wayne ("Gonorrhea").

Look for more shuffling at the top next week with new releases from Toby Keith, Mars, Waka Flocka Flame and David Archuleta.

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Katy Perry, Russell Brand To Wed Saturday In Hindu Ceremony

'Brand and Perry would be attired in Indian wedding attires,' an organizer says of the six-day Rajasthan bash kickoff.
By Mawuse Ziegbe


Russell Brand and a woman believed to be Katy Perry arrive at the Jaipur, India, airport on Wednesday
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Details about Katy Perry and Russell Brand's wedding in India this weekend are trickling in. The couple landed in Jaipur on Wednesday and now The Associated Press reports the pair is slated to get hitched Saturday near the state's Ranthambhore tiger sanctuary.

Mohan Singh of local events company Rajasthan Tours told the AP that the pair will tie the knot in a Hindu wedding ceremony and the weekend nuptials will kick off six days of festivities.

"This would be a colorful Rajasthan wedding, and both Brand and Perry would be attired in Indian wedding attires," Singh said.

Singh also said the betrothed hired 13 vehicles to shuttle their approximately 80 guests to the wildlife sanctuary for tours. The couple will stay at Aman-i-Khas resort in a luxury tent, which is close to the sanctuary. Guests will stay at the Vanyavilas and Sher Bagh resorts.

Since the pair decamped to Jaipur, Perry's family members, including her father, brother and sister, have been spotted in the city. Brand's mother, Barbara, has also been seen about town.

Private security is reportedly hanging out at the resorts but local authorities were unaware of the wedding revelry.

"We have no clue about the celebrations. But we would not allow playing of musical instruments and blaring loudspeakers after 10 in the night," Sawai Madhopur district police chief Vishnu Kant said, adding that fireworks and other racket that might bother sanctuary guests and animals are not allowed.

Even though the wedding sounds pretty epic, Perry has begged for privacy via her Twitter account.

"I have something to say... TWIT BREAK: Greatest gift u can give us is respect & [love] during this private X. No use wasting ur X w/ STOLEN or FALSE info. Thnk u for this."

What do you think Katy Perry and Russell Brand's wedding will be like? Sound off in the comments!

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Wednesday, October 27, 2010

Britney Spears 'Glee' Episode Takes On '... Baby One More Time'

Lea Michele dons Brit's naughty schoolgirl look for a faithful cover of the 1998 hit.
By Aly Semigran


Lea Michele performs "... Baby One More Time" on "Glee" on Tuesday
Photo: FOX

It was the song that launched the career of one of the most beloved, albeit troubled, pop stars of the past decade. Its iconic video spawned a modern-day "Lolita" and earned the title of #1 first favorite video on "TRL." So, of course, Britney Spears' 1998 smash "... Baby One More Time" was an obvious choice for Tuesday night's episode of "Glee."

While general-anesthesia-induced hallucinations had another Brittany (Heather Morris) tackling "Me Against the Music" and "I'm a Slave 4 U," star Lea Michele took on the timelessly catchy "...Baby One More Time." As Michele mimicked Spears' naughty schoolgirl look, the instantly recognizable opening notes pounded on the piano (though the "Glee" version had a slight change of key). With her throaty "Oh bay-buh, bay-buh," Michele effortlessly channeled the song (surprisingly enough, she sounded downright restrained) that made the former "Mickey Mouse Club" member a superstar.

It's fitting that "Glee" paid homage to the song that is but a few weeks away from celebrating its 12th anniversary. (Go on and take a moment to absorb that information.) "... Baby One More Time," the first single of Spears' debut album of the same name, was released in the United States in late October 1998.

Of course, it could have all sounded very different if writer Max Martin had followed through with his original plan to have R&B heavyweights TLC sing the track. The song was also originally titled "Hit Me Baby One More Time" but was changed due to concerns about it being misinterpreted.

In Spears' capable 16-year-old pigtails, the single went on to sell over 9 million copies, garnered Spears her first Grammy nomination (Best Female Pop Vocal Performance, which she lost to Sarah McLachlan for "I Will Remember You") and reached the #1 spot on the Billboard Hot 100. The rest of the album featured other Spears hits, including "(You Drive Me) Crazy" and "Sometimes," but neither of those songs left quite the same impact.

Spears told Blender — which placed the track at the #9 spot on its list of "The 500 Greatest Songs Since You Were Born" — that the song wasn't an easy undertaking for her at first (of course, neither was the immense fame that followed). Spears revealed, "I didn't do well at all the first day in the studio. I was just too nervous. So I went out that night and had some fun. The next day I was completely relaxed and nailed it. You gotta be relaxed singing '... Baby One More Time.' "

Spears looked more than at ease during awards show appearances that followed, namely the 1999 VMAs, in which the leather-clad pop princess took the stage alongside her tourmates 'NSYNC for a "... Baby One More Time"/ "Tearin' Up My Heart" showstopper.

Of course, long before the folks at "Glee" took "... Baby One More Time" out for a spin, countless other musicians had already had at it. From punk rock (Simple Plan) to acoustic (Travis), Spears' song has been refashioned (albeit, sometimes ironically) in many genres. Take, for instance, Bowling for Soup's cover of the ditty, which wound up on Bowling for Soup Goes to the Movies. And even Jamie Lee Curtis and Chad Michael Murray took a crack at it in the 2003 film "Freaky Friday."

What did you think of the "Glee" covers of Britney's songs? Share your reviews in the comments.

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